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Music of Ghana
There are many styles of traditional and modern music of Ghana, due to its cosmopolitan geographic position on the African continent. The best known modern genre originating in Ghana is Highlife. For many years, Highlife was the preferred music genre until the introduction of Hiplife and many others.
==Traditional music==
The traditional musicology of Ghana may be divided geographically between the open and vast savanna country of northern Ghana inhabited by Ghanaians of Gur and Mande speaking groups; and the fertile, forested southern coastal areas, inhabited by Ghanaians speaking Kwa languages such as Akan.
*The northern musical traditions belong to the wider Sahelian musical traditions. It features a mix of melodic composition on stringed instruments such as the ''kologo'' lute and the ''gonjey'' fiddle, wind instruments such as flutes and horns, and voice; with polyrhythms clapped or played on the talking drum, gourd drums or ''brekete'' bass drums. The tradition of gyil music (''balafon'') is also common, especially in northwestern Ghana around Wa and Lawra. Music in the northern styles is mostly set to a minor pentatonic or chromatic scale and melisma plays an important part in melodic and vocal styles. There is a long history of either griot or praise-singing traditions.
*The music of the coast is associated with social functions, and relies on complex polyrhythmic patterns played by drums and bells as well as harmonized song. Drums and dance are often linked, and the tradition of royal talking drums fontomfrom (distinct from the northern talking drum) means music is widely used for communication of both tangible and esoteric topics. The most well known of southern Ghanaian drum traditions is the kete and adowa drum and bell ensembles. Music can also be linked to traditional religions. An exception to this rule is the Akan tradition of singing with the Seperewa harp-lute which had its origins in the stringed harps of the north and west.
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